Tapestry
Textile artwork, traditionally woven on a vertical loom using tapestry weaving techniques, sometimes embellished with embroidery or paint
Concept
Tapestry is a form of textile art which was traditionally woven by hand on a loom. Normally it is used to create images rather than patterns. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes to lie horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. Most weavers use a natural warp thread, such as wool, linen, or cotton. The weft threads are usually wool or cotton but may include silk, gold, silver, or other alternatives. In late medieval Europe, tapestry was the grandest and most expensive medium for figurative images in two dimensions, and despite the rapid rise in importance of painting it retained this position in the eyes of many Renaissance patrons until at least the end of the 16th century, if not beyond. The European tradition continued to develop and reflect wider changes in artistic styles until the French Revolution and Napoleonic Wars, before being revived on a smaller scale in the 19th century. Technically, tapestry is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads may be visible. In tapestry weaving, weft yarns are typically discontinuous (unlike brocade); the artisan interlaces each coloured weft back and forth in its own small pattern area. It is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. European tapestries are normally made to be seen only from one side, and often have a plain lining added on the back. However, other traditions, such as Chinese kesi and that of pre-Columbian Peru, make tapestry to be seen from both sides. Tapestry should be distinguished from the different technique of embroidery, although large pieces of embroidery with images are sometimes loosely called "tapestry", as with the famous Bayeux Tapestry, which is in fact embroidered. From the Middle Ages on, European tapestries could be very large, with images containing dozens of figures. They were often made in sets, so that a whole room could be hung with them.
CardsKnowledge
Tapestry
Textile artwork, traditionally woven on a vertical loom using tapestry weaving techniques, sometimes embellished with embroidery or paint
Tapestry is a form of textile art which was traditionally woven by hand on a loom. Normally it is used to create images rather than patterns. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall (or sometimes in tents), or sometimes to lie horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. Most weavers use a natural warp thread, such as wool, linen, or cotton. The weft threads are usually wool or cotton but may include silk, gold, silver, or other alternatives. In late medieval Europe, tapestry was the grandest and most expensive medium for figurative images in two dimensions, and despite the rapid rise in importance of painting it retained this position in the eyes of many Renaissance patrons until at least the end of the 16th century, if not beyond. The European tradition continued to develop and reflect wider changes in artistic styles until the French Revolution and Napoleonic Wars, before being revived on a smaller scale in the 19th century. Technically, tapestry is weft-faced weaving, in which all the warp threads are hidden in the completed work, unlike most woven textiles, where both the warp and the weft threads may be visible. In tapestry weaving, weft yarns are typically discontinuous (unlike brocade); the artisan interlaces each coloured weft back and forth in its own small pattern area. It is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. European tapestries are normally made to be seen only from one side, and often have a plain lining added on the back. However, other traditions, such as Chinese kesi and that of pre-Columbian Peru, make tapestry to be seen from both sides. Tapestry should be distinguished from the different technique of embroidery, although large pieces of embroidery with images are sometimes loosely called "tapestry", as with the famous Bayeux Tapestry, which is in fact embroidered. From the Middle Ages on, European tapestries could be very large, with images containing dozens of figures. They were often made in sets, so that a whole room could be hung with them.
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Concept — Alters a rule of the game for as long as it stays in play.
Reach
Article length
95 / 120
Rigour
Reference density and count
46 / 120
Anchorage
Age and revision count
324 / 400
Currency
Recent edit activity and view trend
16 / 30
Diffusion
Language editions and incoming links
73 / 100
Article size
70 kB
Sources cited
77
Sections
25
Revisions
1,087
Revisions in 90 days
13
Incoming links
1,431
Language editions
62
Views over 12 months
97,538
Created on
September 17, 2002
Wikidata statements
81
Rare — 99.1th percentile of notability
Rarity ranks cards by how famous their subject is: readership, number of languages and incoming links. This tier appears in 10.00% of cards pulled from packs. It says nothing about the card’s power, which is 648 out of 1000 here.
Effect
This card does not fight on its own: it carries a single effect, chosen by its dominant measure.
Knowledge — type matchups
Strong against
Weak against
The source article
This card maps to the Wikidata item Q184296, present in 62 Wikipedia editions.
Illustration : file on Wikimedia Commons — Mike Dickison — licence CC BY 4.0. Article text licensed under CC BY-SA 4.0.
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